Sunday, 24 September 2017

Free Machine Embroidery Experiments using colouring pages from Chocolate Baroque


If you love colouring there is a wonderful colouring page kit available from Chocolate Baroque. These are great for making finished pieces for framing or simply to have fun colouring. The kits also contain a colour wheel and tips for colour mixing too. The kit is limited edition (so when they sell out they are gone) and was created using gorgeous hand drawn images from Sue Page. There are 7 fabulous designs (2 copies of each) plus a couple of practice pages to test out colouring methods etc.


This is one of the pages that I coloured with alcohol ink pens plus a bit of sparkle pen. The paper is super smooth and a lovely quality and the images a joy to colour.

I thought that the designs would be perfect for embroidery. I first checked the copyright policy on using these designs and provided that the images are not scanned or photocopied we are permitted to physically hand trace them onto fabric. I therefore kept my second image as a template for tracing.

I found that the best method for tracing onto my fabric was using a light box and a soft pencil. I chose a small motif to try out my experiments.

I first did an experiment on a scrap piece of fabric and tried to follow the drawn outlines using free machine embroidery. This is where the sewing machine feed dogs are disengaged and the fabric is moved and guided under the needle by hand. This method also requires a special free machine embroidery or darning foot. Generally the machine is run fairly fast with this technique and the rate at which you move the fabric beneath the stitching needle determines the length of stitches achieved (i.e. slowly moving the fabric beneath the needle gives small close together stitches, fast movements provides longer stitches).


Well what a disaster! I admit that I am a little out of practice with free machining but I didn’t expect the results to be this bad – tee hee.


My darning foot has a clear acrylic end but I really could not see the outlines of the design well enough to stay on track at all while stitching. Eeek! There are other types of darning foot available, thin metal circular ends or ones where the front is open or cut away. However, for my high shank machine they are all pretty expensive at around £30 (there are more options for standard shank machines and they can be obtained fairly cheaply via China through EBay).

I really didn’t want to spend out a lot of pennies on something that I wouldn’t be sure would work for me until I actually got it home to try. My ideal would be no foot getting in the way at all so that I would have a complete clear view of the needle. I tried stitching with the foot removed (NB. Even with no actual foot in place the presser foot mechanism must be lowered in order to engage the tension discs on the needle thread). This was perfect for aligning my stitching along the design but caused bad stitch quality and skipped stitches. While operating the fabric bounced around too much (even though in an embroidery hoop) as there was no foot to hold the fabric while the needle pushed through and pulled out of the layers.


I then investigated further and found that there is such a thing as a free machine spring needle that can be used without a foot. These are not all that cheap either (£5), considering that like any needle they do wear out with use. However, it was a much cheaper option for me and gave perfect vision of my stitching outlines while working. It should last me a while too if I keep it just for projects that need detailed and accurate stitching.




I chose 2 layers of hand dyed cotton fabric with a layer of thin polyester wadding between (to give a little quilting texture). I used a small spring hoop to hold it all in place and stabilise my fabric layers. I chose a variegated embroidery thread for stitching and I was delighted with the results. Yay!




I didn’t really have a plan of what I was going to make but decided to turn it into a small padded pouch for my mobile phone.


Finally I decided to add a little colouring to the quilted design. I used Inktense pencils to add shading and then dragged out the colour using a damp brush (this makes the pigment permanent). I learned a lot making this project and I love my little phone pouch.

I have written a bit of an essay but I hope this helps anyone else trying out some free machine embroidery x.

Friday, 15 September 2017

Adjustable Kanzashi Flower Ring Powertex Jewellery

Today I am sharing a pretty little adjustable Kanzashi flower ring created using fine printed cotton fabric which has been treated with Transparent Powertex to stiffen and protect it. Treating with Powertex adds strength and protects against dirt. Ideal for jewellery pieces.

There are lots of videos on YouTube showing Kanzashi flower making but most are using synthetic ribbons which are joined and sealed by melting. I used instructions from Gina-B Silkworks (this was a sample for her recent show on Create & Craft TV). Gina’s method is the traditional Japanese way using natural fabrics (silk or cotton). Being natural fibres these little flowers are simply ideal for treating with Powertex. Ready-made silk flowers could work very well too.

Really pretty and comfortable to wear (sorry that my hands are older crafters hands and not modelling quality - tee hee).


The ring is adjustable so easy fitting.

I coloured the back to match the wire colour. You can also see the adjustable ring form more easily in this pic - the backing and flower being secured to one of the flat wire coils.



Note: One thing to consider when using transparent Powertex is how it will affect the colour of the fabric. It will considerably darken many fabrics, giving them the appearance of their colour when wet. Always test out a spare scrap first so as not to be disappointed. The printed cotton that I used here changed very little in colour so I was really pleased with the result.
 
Tools and Materials:
Optional extras:
I used additional tools for making the flowers which are really helpful and make the process easier. They are not essential but you will probably want to get them if you decide that you like this craft.
  • Pack of straight and bent fine tweezers – great for manipulating fiddly items such as the small fabric squares while folding, and for placing the petals. I would say that tweezers of some sort are pretty essential unless you have really nimble fingers.
  • Kanzashi Flower Making Tool Kit – contains a mini turntable, gluing table and spreader plus a small drying table. Great to have.
  • Petal Holders & Medium Drying Table – another useful kit if wanting to make several flowers. Cotains 2 sets of petal holders (for small and larger petals) plus a bigger drying table (for more flowers).
How it was made:


My set of Kanzashi flowers made with the starter kit. I used the 7 petal rainbow one for the ring.


  1. I used the in Gina’s starter kit to make the seven petal rainbow flower. Basically little fabric squares are folded to make petals. The raw edges of the petals are then placed in thick Kanzashi starch to hold their shape while making up all the petals and building the flower. The petals are then glued to a base piece of cotton using PVA glue and left to dry overnight. Excess fabric on the base is then snipped away. I glued a small metal brad into the centre with Gemtac glue. Sorry that I am unable to give full instructions here for the flower as the specifics of this flower design belong to Gina.
  2. To make the adjustable ring I wrapped the wire around a ring mandrel and tapped the wire lightly with the hammer to work harden the ring structure. A nylon hammer helps protect against stripping off the coloured coating.
  3. I trimmed the wire and made a small curl on one side using the round nosed pliers. On the other side I made a larger curl, big enough to sit the flower onto the front and the wooden cabochon onto the back. I worked hardened and slightly flattened the wire curls using the hammer and steel block.
  4. I added a coat of clear Powertex to the back/base of the flower and wooden cabochon and left until touch dry. I then added another coat of Powertex (as a glue) and used Powertex Easy Structure to fill the voids in the wire curl, attaching the wooden cabochon to the back and flower to the front of the larger wire curl, and left it to cure overnight. The Easy Structure paste makes a nice solid bridge holding everything securely onto the back and front of the wire curl. A little Stone Art Clay would also work. Note: If you don’t have a suitable wooden cabochon a thick card/board or MDF shape could be substituted. I would advise an absorbent natural material for a strong bond with the Powertex. It also needs to be smooth so as not to scratch or irritate the skin when wearing.
  5. I then painted the cabochon and flower with Transparent Powertex, working it well into the fabric flower and crevices with a brush. Tip: If you find that you have big blobs or pools of Powertex use a piece of cotton rag to lightly dab and mop up the excess, or it can dry giving shiny blobby areas which will spoil the natural look and texture of the fabric flower. Leave to dry.
  6. Finally I painted the back of my cabochon attachment and flower base using Starlight acrylic paint. The colour match was simply perfect for the metallic pink wire that I used. If you are using copper, silver or gold plated wires you could paint with Colortricx pigment and Easy Varnish instead (to coordinate with your wire).
Powertex treatment has made this delicate fabric flower ring much more robust and protected against dirt – a more functional piece of jewellery. For further protection and full waterproofing you could add a final coat of Easy Varnish.

Quick and Easy Christmas card created for Chocolate Baroque



Good morning. This is a quick and easy Christmas card make – great when you have big batches of cards to get ready. I think that the sentiment might be better stamped directly onto the card front – quicker too.

Materials:
How to make it:
  1. Stamp the trees with Versafine and extend the base of the scene by drawing with the pen. Edge the card with black marker and a little Distress Ink. Glue to the card front.
  2. Stamp the sentiment with Versamark and emboss with the sparkly gold powder. Note: I combined 2 sentiments using the separate 'and' stamp to join them. Tip: Use a gridded acrylic block to help align the text level and straight.
  3. Trim and edge with black marker. Glue to the card front.
  4. Finish with a bow and with dots of 3D glaze pen.

Quick and easy floral cards created for Chocolate Baroque

Good morning. Here are a set of quick and easy 6 X 6 inch cards. Each can be made in under 15 minutes, so they are great for those speedy last minute makes.






I used patterned papers from Crafty Individuals (Travels in Italy or Springtime) for the background. Stamps include Harlequin Bouquet, Crackling Rose, Floribunda Net, Flora Musica and Loving Sentiments.

All were stamped with Versafine (Onyx Black) and heat embossed with WOW Embossing Powder (Clear Gloss). This makes colouring really quick and easy as the embossed lines resist the watercolour. I used watercolour pens, Distress Inks, gouache paints and sparkle pens to colour. Gouache paints are semi opaque watercolours which are great where some coverage of the underlying patterned paper is needed.

Tuesday, 12 September 2017

Harlequin Bouquet card created for Chocolate Baroque



Good morning. Just catching up with blogging a few more of my recent show samples created for Chocolate Baroque on Hochanda. This one was created with the Harlequin Bouquet stamp.

Materials:
How to make it:
  1. Trim the patterned paper to make a panel approx. 5 ¾ inch X 4 ¼ wide. From the offcut cut a tag to fit the sentiment.
  2. Stamp the image and sentiment with Versafine and heat emboss with the clear powder.
  3. Colour the image with watercolour and sparkle pens. Add a little opaque gouache to give a bit more coverage over the patterned background (mix on a palette).
  4. Stamp the right hand side of the card blank with Distress Ink and heat emboss with clear powder. Edge with black pen to frame.
  5. Add faux stitching to the panel and tag using the fine tipped pen and glue to the card front.
  6. Finish with ribbon and faux gems.

Harlequin Bouquet Birthday card created for Chocolate Baroque



Good morning. Just catching up with blogging a few more of my recent show samples created for Chocolate Baroque on Hochanda. This one was created with the Harlequin Bouquet stamp.

I experimented a bit with the Soft Form Relief Paste on this one. I tried inking the stamp before coating with the paste (using Archival Ink) with the hope to transfer the ink into the paste embellishment. I wasn’t sure if the ink would just diffuse and bleed into the paste making a smudgy mess. I was really pleased with the result – the inked image stayed clean and sharp and transferred perfectly.

Materials:

How to make it:
  1. Ink the stamp with Archival Ink and spread the relief paste over the top with a palette knife. Leave to fully dry before peeling away. This will not spoil the stamp in any way and the dried paste stays flexible and is easily removed. Drying times can vary and I find that it usually takes 2 days for me (I don’t have heating). So you need to plan ahead a bit when using this but the results are worth it.
  2. Emboss the card blank with the harlequin folder and rub over with a little gilding wax.
  3. Stamp the sentiment with Versamark onto a separate piece of card and heat emboss with the gold powder. Note: I would advise dusting the card with antistatic powder before embossing. I usually do this but forgot in this case so got some stray embossing powder over the background. However, I thought it looked ok and made it a bit more vintage looking in this case.
  4. Trim the sentiment panel and glue to the card front along with the paste embellishment. Add Glossy Accents over the flowers and leaves to make them stand out.
  5. Finish with a bow and PVA pearls.

Summer Birdies card created for Chocolate Baroque



Good morning. Today I am sharing some of my samples made for the recent Christmas shows on Hochanda from Chocolate Baroque. I decided to forego Christmas with this one and make a pretty shaped summer card with the birdies.

Materials:
How to make it:
  1. Create the card blank by cutting a folded square card, through both layers, overhanging one of the die points over the card fold on the left side. Cut another whole flower from stamping card. If you don’t have a suitable die draw a flower shape onto your card blank and cut out with scissors. Consider how it will sit when standing – I arranged 2 petal points so that they sit level at the base. Use the card blank as a template to cut the stamping panel.
  2. Stamp the scene onto the front panel. No clever masking is needed, simply stamp the ‘solid silhouette’ fir tree onto the sides to partially cover and disguise the Christmas trees.
  3. Stamp the bird house onto another piece of stamping card. Extend the pole by drawing with a pen. Cut out omitting the holly leaves (just chop them off). Snip the base of the pole to fit the card front when overlaid.
  4. Colour the images with Distress Inks. Apply ink to your craft mat or a palette and pick up colour with a damp brush. Use a blending sponge for some of the larger areas (sky and trees).
  5. Attach the bird house to the card front with foam pads or 3D glue gel. Finish with a little glitter glue for added sparkle.

Monday, 11 September 2017

Harlequin Bouquet With Love card created for Chocolate Baroque

Good evening. Just catching up with blogging a few more of my recent show samples created for Chocolate Baroque on Hochanda. This one was created with the Harlequin Bouquet stamp.

Materials:
How to make it:
  1. Ink up the harlequin part of the stamp with Distress Ink and stamp over the card blank to create background texture.
  2. Repeat stamp the sentiment with gold pigment ink and heat emboss with the clear powder.
  3. Stamp the image with Archival Ink and colour with watercolour and sparkle pens. Add some pencil shading for added texture.
  4. Cut the oval frame from Kraft card and rub over with a little gilding wax.
  5. Trim the topper and glue behind the frame. Attach to the card front with 3D foam for added depth.

Flora Musica Swing Back Card created for Chocolate Baroque





Good evening. Here is another of my floral makes for the recent shows on Hochanda using the Flora Musica stamp from Chocolate Baroque.

Materials:
How to make it:
  1. I used a ready made fold back card base (Crafters Companion) but it would be easy to make your own. Take an 8 X 8 inch card blank and draw a 6 X 6 panel into the centre to leave a 1 inch border all around. Cut the right hand edge of the inner panel and half way into the centre (i.e. 3 inches in). Score the outer border section only, vertically to meet the cut line from top and bottom, then fold the outer frame back to the left. Sorry it’s a bit tricky to describe but it really is easy. Try it with a piece of copy paper first.
  2. Open the card out flat and emboss each of the four outer corners with the embossing folder. Gently rub over with Distress Ink using a sponge. Add some highlights onto the roses using the clear sparkle pen.
  3. Stamp the image and sentiment onto the patterned paper using Versafine and heat emboss with the clear powder. Colour with the watercolour and sparkle pens, blending out with a damp brush. Add a little gouache to the colours if you need a little more coverage over the background pattern (gouache is more opaque). Edge with a little Distress Ink and the black marker to frame. Glue to the card front.
  4. Stamp the sentiment onto the inside of the card.

Sunday, 10 September 2017

Sparkling Star card created for Chocolate Baroque


Good evening. Today I am sharing some of my Christmas makes made for the recent shows on Hochanda from Chocolate Baroque. Sorry if Christmas makes are too early for you but hopefully they will give you a bit of inspiration x.

Although I stamped the Christmas trees onto vellum and cut it out to build the star/flower petals for the embellishment, it doesn’t necessarily have to be for Christmas. White on white would make a lovely wedding card.

Materials:
How to make it:
  1. Stamp the corners onto the card blank and emboss with sparkle powder.
  2. Stamp the stripy trees 6 times onto vellum and emboss with the sparkly powder. Cut out the medium and small tree to make the petals. Glue onto the card and add the gem to the centre.
  3. Draw on the faux stitching and dot onto the background (groups of 3 dots).

Sparkling Noel card created for Chocolate Baroque


Good evening. Today I am sharing some of my Christmas makes made for the recent shows on Hochanda from Chocolate Baroque. Sorry if Christmas makes are too early for you but hopefully they will give you a bit of inspiration x.

Materials:
How to make it:
  1. Stamp the corners with multi-coloured ink onto the card blank and heat emboss with clear powder.
  2. Stamp the sentiment with pink ink and emboss with clear powder (work quickly as dye ink dries fast). Glue down the ribbon with double sided tape.
  3. Stamp the trees onto stamping card with the multi-coloured ink and emboss with clear powder. Colour with watercolour pens. When dry add some additional shading with the alcohol pen. Edge the card with dark pink alcohol marker.
  4. Apply glitter paste through the stencil with a palette knife to add some sparkly snowflakes and rain drops.
  5. Stamp the corners onto acetate and emboss with pink powder. Trim and glue behind the main panel.
  6. Fix the topper to the card with foam pads and trim the top and bottom edge of the acetate to fit the card front.
  7. Finish with PVA pearls and glitter glue plus add the bow.

Let’s Get Festive card created for Chocolate Baroque



Good evening. Today I am sharing some of my Christmas makes made for the recent shows on Hochanda from Chocolate Baroque. Sorry if Christmas makes are too early for you but hopefully they will give you a bit of inspiration x.

Materials:
How to make it:
  1. Stamp and emboss the tree scene with white powder. Trim and spritz with inks.
  2. Stamp and emboss the corner onto acetate with blue sparkle powder and trim. Stick behind top right hand edge of topper.
  3. Add some snowflakes and rain drops by applying glitter paste through the stencil with a palette knife. Add some aqua glitter glue around the border.
  4. Cut a mat for the topper from silver card and glue behind.
  5. Stamp the sentiment onto the card blank and emboss with blue sparkle powder.
  6. Stamp the snowflakes onto the background and emboss using silver sparkle powder.
  7. Add the topper to the card with foam pads for dimension.
  8. Colour the brass bells with the silver gilding wax. Add the ribbon and bells to the card.
  9. Draw on the faux stitching and finish with PVA pearls.

Christmas Blessings card created for Chocolate Baroque



Good evening. Today I am sharing some of my Christmas makes made for the recent shows on Hochanda from Chocolate Baroque. Sorry if Christmas makes are too early for you but hopefully they will give you a bit of inspiration x.

Although these decorative stamps come with a Christmas set they are not obviously Christmas and could be used with any other sentiments to create a card of any theme.

Materials:
How to make it:
  1. Stamp with Versamark Ink and heat emboss with white powder. I used a stamping platform to help me align the corners and centre. If you don’t have one of these add some pencil dots to locate the card centre and position of corners – leaving space for the sentiments. I stamped the sentiments ‘by eye’ using an acrylic block with grid markings to help me align the stamp straight, and to get the stamping lined up with the design.
  2. Add colour with the red pen and draw faux stitching around the border with a white pen.

All Hearts Home for Christmas card created for Chocolate Baroque



Good afternoon. Today I am sharing some of my Christmas makes made for the recent shows on Hochanda from Chocolate Baroque. Sorry if Christmas makes are too early for you but hopefully they will give you a bit of inspiration x.

I used the Frosty Trees and Lets Get Festive stamp sets to create this one.
 
Feeling a little reticent to share these today but running behind with some of my posts and needed to do some catch up. I am hoping that all my ‘friends’ across the water are safe and away from the dreadful storms. Feeling for all those that have lost homes, or worse, already on the nearby Islands. It looks terrifying!
 
Materials:
How to make it:
  1. Stamp and heat emboss the background with sentiment stamps and clear sparkle powder. Lay down the double sided tape sprinkle on the loose glitter and rub in well.
  2. Stamp and emboss the trees and sentiment with white powder. Cut out the panels and glue to the card front with foam pads.
  3. Add faux stitching with the white pen and finish with PVA pearls.

Friday, 1 September 2017

Crackling Rose cards created for Chocolate Baroque

Good morning. Today I am sharing a couple of cards made with the gorgeous Crackling Rose and Loving Sentiments stamp set. The lovely rose collage stamp is great for quick cards, just stamp and add a little colour and you’re done. It is also brilliant for incorporating into larger projects, for something extra special, and for home décor projects too. So many ideas and never enough time to make them all – tee hee.

Do check out more posts and projects using these lovely collage stamps from my talented Teamies (Chocolate Baroque Design Team Blog).

I have used decorative papers to create quick and easy backgrounds. A great trick when in a hurry and a good way to use some of those pretty papers from your stash.




 
Materials for the yellow rose card:


How to make it:
  1. It is easy to make the card blank yourself by marking a 6 inch square on the card front (square 8 X 8 inch card) and cutting it only half way around on the right hand side. Score the top and bottom sections vertically in the centre of the card and fold back the cut half frame section.
  2. Colour the frame on the card front and the inside panel with Distress inks. Draw on the faux stitching and dot details, matching up the design when the card closes.
  3. Stamp the Rose and sentiment onto the decorative paper with Versafine ink and heat emboss with the clear powder. Colour with sparkle pens and a damp brush, adding a little white gouache to the rose for highlights. Colour around the rose background with a little dilute gouache to help the rose stand out more. Mat and layer onto the card front with purple and white card.
  4. Stamp the rose and sentiment onto the inside of the card with Versamark and emboss with gold powder. Colour with Distress Inks and a damp brush. Add some clear sparkle overlay pen for highlights. Draw some rain drops with the fine tipped pens.
  5. Finish with PVA pearls and Glossy Accents to make highlight rain drops on the inner panel.

Materials for the blue rose card:


How to make it:
  1. Randomly stamp the card front with the pearlescent ink and the rose stamp.
  2. Stamp the rose and sentiment onto the decorative paper with Versafine and heat emboss with clear powder.
  3. Colour with Distress Ink and sparkle pens, dragging out and blending colour with a damp brush. Add a little opaque white paint for highlights. Add a wash of Distress Ink around the rose to make it stand out more from the background. Glue to the card front.
  4. Add faux stitching with the white pen.
  5. Finish with PVA pearls and a little glitter glue for sparkle.

Sunday, 20 August 2017

Flora Musica card created for Chocolate Baroque

Good morning. This was one of my recent show samples using the Flora Musica stamp from Chocolate Baroque.


Materials:
  • Flora Musica stamp
  • White card blank (10.5 X 15cm), black card, pink metallic card, decorative background paper (blue/lilac)
  • Versamark Inkpad
  • WOW Embossing Powder (Gold Rich)
  • Fine tipped pen (black)
  • Gouache paints (white)
  • Watercolour pens (pink, burgundy)
  • Sparkle pen (green)
  • Pebeo Gilding Wax (Empire Gold)
  • Oval die (Tattered Lace), Decorative frame die (Tonic) and harlequin embossing folder
How to make it:
  1. Trim and emboss the black card with the harlequin embossing folder. Lightly rub over with gilding wax and glue to the card front. Add faux stitching with the fine tipped pen.
  2. Stamp the Flora Musica onto patterned paper and heat emboss with gold powder. The embossing makes colouring really quick and easy. Colour with watercolour and sparkle pens and drag out colour with a damp brush. Use some white gouache to add highlights. Gouache paints are semi opaque so are great for covering over patterned or precoloured areas. Note: the watercolour beneath will dissolve and move when painted over with wet media and so will tint the white gouache.
  3. Cut out the topper, edge with a little gilding wax, and mount onto decorative mat cut from metallic card. Glue to the card front using 3D foam for added depth.

Saturday, 19 August 2017

Blue and White Baroque Tiles card created for Chocolate Baroque

Good morning. This was one of my recent show samples using the Baroque Corners stamp set. I built up a pattern using the large and small corners in Blue & white, reminiscent of vintage tiles.


 
 
Materials:

How to make it:
  1. Stamp the large corner stamp onto each of the 4 corners of the card blank. It is easiest to turn your card 90 degrees between stamping. An acrylic block with grid markings also helps to align the stamp straight with the edge of the card. I used the Tim Holtz stamping platform which made the pattern stamping really easy. Simply stamped, turned the card on the platform (butting it up against the platform ridges) and stamped again. It is not essential to use a stamping platform or alignment tool but it does make it so easy and quick. No hovering and aiming.
  2. Edge the card with blue marker to frame and draw faux stitching with the fine tipped pen.
  3. Trim the next panel to 13cm square and stamp using the smaller corner stamp. Add the faux stitching and layer onto the dark blue card. Glue to the card front with foam pads for added dimension.
  4. Trim the next panel to 11.5cm and stamp the small corner stamp into the centre. It may help to draw pencil cross hairs to help alignment. The little sticky out swirls also help you see where you are going and help align the stamps square.
  5. Stamp the sentiment into the space in the middle. This is quite easy to align with the clear stamp. Trim off the corners (at 45 degrees) to create the octagonal shape. Note: not all the sides are equal, 4 sides are a little shorter than the other 4. Add the faux stitching and mount onto blue card. Attach to the card front with foam pads.

Tuesday, 15 August 2017

Egyptian Cards and a bit of experimentation with Powertex and stamps

Oh I just love the new stamps from Anna Hewlett (Rosehart Studio) and Powertex. They sold out in a flash on the Hochanda shows too. Here are a couple of my card samples created for the show.
 
 
 
On this one I used the Hiero Heaven stamp. The background was stamped and embossed with clear or gold embossing powders onto the black card. The vintage papers were created by stamping and colouring with Distress Inks (Scattered Straw, Vintage Photo and Peeled Paint).
 
 
On this one I created the background by stamping with black archival ink onto craft card and colouring with pencils (they gave a nice chalky effect).

I created the gold embellishments using a Soft Form Relief Paste (Pebeo). I inked the Hiero Heaven and Scarabella stamps with archival black ink, spread with the paste and left to dry for 48 hours before peeling away. Extra colour was added to my scarab using acrylic paint.

No Powertex in these but I did have a little play:

Experiments:
This soft form paste stays flexible when dry so it can be curved around 3D objects and can also be stitched into. Some of you may know me for my paper crafting and textile art, so this is something I keep in my stash.

I have since had an experiment with using Powertex onto my stamp and leaving that to dry. I did have a concern about using Powertex on my stamps at first. Not that it would harm the rubber but I like to mount my stamps onto foam mount for clean crisp stamping in my textile and paper crafting. I thought that the Powertex might seep into the foam and harden it up ruining the cushion. I did a couple of bench tests to try it out:


  • I inked up part of the Heiro Heaven panel with Archival Ink and poured on some Ivory Powertex. Immediately it started reacting strangely with the ink. The outer edges of the puddle started moving and swirling and lost their colour.
  • I also poured some Powertex onto a non-inked area (although there was a bit of residual dried ink on there).
  • I mixed in a little Stone Art into the Powertex, making a paste, and spread this onto an inked area. This was more controllable than pouring liquid and there was no strange reaction evident with the ink beneath.
  • I also poured some Powertex over one of the smaller stamps, deliberately spilling it over the sides and onto my foam mount.
Experiment results:
Similar to my usual texture paste it took 24-48 hours to dry fully. All the test pieces worked really well and peeled away from the stamp really easily. Residual dried on Powertex was easily removed with warm water and a nail brush. The embellishments are quite stiff but remained flexible enough to curve around if desired, particularly if warmed up in the hands or with a hair dryer.


The ink transferred really well giving a nice dark image into the embellishment crevices, even the one that seemed to have a strange reaction with the ink worked well.

The smaller stamp that I covered in Powertex also cleaned up easily and the Powertex pulled away from the mount foam ok too, although I had to pull it away gently as it hung onto the foam quite tightly.

If you use unmounted stamps then obviously there is no issue in covering them with Powertex. I would say that if like me, you like to foam mount your stamps, then I would recommend making a bit of a paste with Powertex plus Stone Art or 3D Sand and spread this over. It is much more controllable and you can keep it away from the edges and foam mount more easily.

I hope that my experiments help with your own creative play.

Quick and Easy Floral Harmony card created for Chocolate Baroque

Good morning. Today I am sharing another of my show samples for Chocolate Baroque using another of the lovely stamps recently featured on Hochanda. This is also a quick and easy one using the Floral Harmony stamp.


Materials:
How to make it:
  1. Stamp and heat emboss the image and sentiment with white powder.
  2. Spray over the image with ink sprays, spraying more pink ink over the flower. While the ink is still wet drag out the colour over the stamped image using a damp brush. The embossed line makes this quick and easy. Use a little extra water and blotting with tissue where the colour needs lifting out and lightening.
  3. Drag some of the ink out across the base to anchor the image. I used a hair dryer to speed up the drying (a heat gun can bleach out some of the colour and may re-melt the embossing).
  4. Outline the topper with burgundy pen to frame and glue to the card front.

Quick and easy Chequered Flowers card created for Chocolate Baroque

Good morning. This one is a quick and easy card using the Chequered Flowers stamp from Chocolate Baroque.


 
Materials:

How to make it:
  1. Trim the stamping card to fit onto the card front. Mask the border using a strip of copy paper (tip: cut the strip wider than the card and tape to craft mat at either side).
  2. Repeat stamp the image across the card front.
  3. Remove the mask, stamp the sentiment and draw the border edges with black pen and a ruler. Colour the bottom edge with 3D glaze gel pen.
  4. Edge the topper with black marker to frame and glue to the card front.
  5. Stamp another flower onto scrap card, colour quickly with watercolour pen (don’t worry about staying within the lines – just scribble over to colour). Cut out the flower, shape slightly and glue to card front.
  6. Finish with clear sparkle pen over the background flowers, and by drawing faux gems and shiny detail on coloured flower with 3D glaze gel pen.

Sunday, 13 August 2017

Sneak Peek of my first show samples for Powertex on Hochanda tomorrow

Tracey Evans and Powertex are back on Hochanda tomorrow at 6pm and 8pm (Freeview channel 85). More shows on Tues 9am, 1 and 5pm. Here is a sneak peek of my first set of samples.
 
There are fabulous new stamps, stencils and more. I cannot wait to see the demos and Design Team samples.



Saturday, 5 August 2017

Chequered Golden Flower card created for Chocolate Baroque


Good morning. This is another of my recent show samples using the Chequered Flowers stamp.

Materials:
How to make it:
  1. Spread the relief paste over the stamp with a palette knife and leave to dry. Drying time depends on room temperature and humidity but it will need at least a day. Mine took 2 days to fully dry. When dry gently peel away from the stamp and trim around to neaten up any messy edges.
  2. Stamp the image with Versafine and heat emboss with gold powder. Colour with watercolour pens and a damp brush. The embossed lines resist the water and make colouring quick and easy.
  3. Apply a couple of drops of glycerine to a blending sponge and work in well. Now use this to pick up watercolour from your craft mat. Blend colour around the edges of the card. The Glycerine make the watercolour behave more like a Distress Ink making blending easy.
  4. Apply Versamark Ink along the card edges and heat emboss with gold powder.
  5. Glue down the paste embellishment. Attach the ribbon and bow, then glue panel to the card front.
  6. Finish with PVA pearls

Sunday, 30 July 2017

Floral Thank You card created for Chocolate Baroque

Good afternoon. Today I am sharing one of my samples for the recent shows from Chocolate Baroque on Hochanda using the lovely Floral Harmony stamp. I love creating these blue and white designs.


 
Materials:
How it was made:
  1. I coloured the card blank blending colour onto the card using a sponge and Distress Ink. The card was not designed for blending ink so I used the trick from Sheen Douglass adding a little glycerine to my sponge before adding ink. This enabled it to blend out much more easily.
  2. I cut out the stamping plate and blended ink in from the edges. I also added faux stitching around the topper and card blank with the fine pen.
  3. The image and sentiment were stamped with Distress Ink. I then used a damp brush to drag out the colour. Where needed I added further colour picking up ink from my craft mat.
  4. The topper was added to the card blank with 3D foam for added depth and dimension. Finished with ribbon and PVA pearls.

Monday, 24 July 2017

New colouring pages and stamps launching on Hochanda today from Chocolate Baroque


Woohoo – new colouring pages from Chocolate Baroque featuring on Hochanda today (shows at 6 and 8pm) plus tomorrow (shows 9am, 1pm and 5pm). There is also a bumper kit containing all the new stamps too. Watch on Freeview Channel 85 or via the Hochanda.com website (live or on catch up if you miss a show). Cannot wait to see all the wonderful samples from my fellow Teamies and FAB demos from Lesley Wharton – always inspiring. The new Baroque floral stamps are fabulous too. I will share more of my projects soon.

These are my colouring pages coloured with alcohol ink pens plus a bit of sparkle pen and glaze pen to enhance. These are great for making finished pieces for framing or simply to have fun colouring. The kits also contain a colour wheel and tips for mixing colours and colouring too.