Saturday, 30 September 2017

Fantasy Woodland Birthday Card created for Chocolate Baroque

Good afternoon. This was another of my recent show samples created for Chocolate Baroque using the Fantasy Woodland stamp set.


Materials:
  • Fantasy Woodland and Birthday Words stamp sets
  • A5 ready made card blank with scalloped edge, patterned paper with script
  • Inkpads: Versamark and variegated pigment ink (purple & blues)
  • WOW embossing Powders (Clear Gloss, detail white)
  • Water based opaque Gouache paint (white)
  • Pen (opaque white), glitter pens (pink, green)
  • Glitter glue (clear)
  • Faux gem flowers (pink, green)
  • Corner rounder punch
How it was done:
  1. The paper was trimmed and the corners rounded off with a punch.
  2. The trees were stamped with Versamark and embossed with white powder, the sentiment with pigment ink and clear powder.
  3. The scene was extended at the based, and faux stitching added, using the white pen.
  4. A little thinned white gouache was added behind the sentiment to emphasise it slightly. I wanted it to be subtle but visible.
  5. The flowers were coloured with glitter pens and faux gems stuck onto the centre tree.
  6. Finally I added a little clear glitter glue for more sparkle.

Happy Birthday card created for Chocolate Baroque

Good afternoon. This was another of my recent show samples created for Chocolate Baroque using the Fantasy Woodland and Tall Trees stamp sets.

Materials:
  • DL card blank and white stamping card
  • Fantasy Woodland, Tall Trees and Birthday Words stamp sets
  • Inkpads: Versamark, Marvy Matchables (Purple dye based)
  • Embossing Powder (Crafters Companion Holo Twinkle)
  • Water based inks (Spectrum Noir Aquatints, Lyndy’s Stamp Gang Spritzers) and Brusho Powders
  • Alcohol marker (purple)
  • Fine tipped marker (opaque white)
How it was done:
  1. The main tree and sentiment were stamped with Versamark and heat embossed with the white sparkle powder.
  2. The background was coloured with water based inks and some Brusho crystal dropped into the wet inks.
  3. The background trees and foliage were stamped with dye based ink.
  4. Touches of white pen were added to extend the scene and highlight. The topper was edged with the purple marker to frame and glued to the card front.

Thursday, 28 September 2017

Autumn Birthday Card created for Chocolate Baroque

Good afternoon. Catching up on a bit of blogging today. This was another of my recent show samples using the Autumn Edges stamp set from Chocolate Baroque.


Materials:
How it was done:
The edge was stamped directly onto the card front with Versamark and heat embossed with gold sparkle powder. Coloured with sparkle pens. The yellow Gelato was dissolved in water and painted around the border.
The topper was stamped with Versafine and blended with Distress Inks. Glued to the card with 3D gel for added depth. Finished with a little glitter glue.

Each Day is a Gift card created for Chocolate Baroque

Good afternoon. This was one of my recent show samples using the Autumn Edges stamp set from Chocolate Baroque.

Materials:
How it was made:
  1. The archway was cut from black card and brushed over with gilding wax to give a metallic effect.
  2. The tree was stamped onto watercolour card with Versafine and heat embossed with clear powder. The card was then spritzed and sprinkled with Brusho powders to create a background. The topper was glued behind the archway and trimmed to fit.
  3. The tree scene and sentiment was stamped onto stamping card with Versafine. The scene was extended to the edges using the fine tipped pen. The background was coloured lightly with Distress Inks and edged with the brown marker. The sun was created using the stencil.
  4. The arch was glued to the card topper with 3D gel for added depth.
  5. Finished with a little Glossy Accents on the arch, and PVA pearls.

Tuesday, 26 September 2017

Fantasy Sea Shore Canvas created with Powertex

I simply love Powertex for creating mixed media. It enables you to sculpt fabric and to create 3D embellishments – the possibilities are endless.


I simply adore the sea but unfortunately I couldn’t live further away from the seaside. I had so much fun creating this one and disappeared into a fantasy world of sea, sand, fossils and shells. So much scope for texture.


I recycled an old cotton scarf and a bit of old potato sack, created extra texture using sand and balls, and even created the fossils using moulds with Powertex clay.


I hope that you like my fantasy sea shore.


Materials:

Harlequin Bouquet Canvas created for Chocolate Baroque



Good morning. Today I am sharing a small canvas created with the lovely floral collage stamp (Harlequin Bouquet) from Chocolate Baroque.

Materials:
How to make it:
  1. Stamp the image onto stamping card with Versafine and heat emboss with clear powder. Colour with water based pens.
  2. Randomly Spritz the canvas background and cover with UTEE while wet. Heat to melt. I wanted a bit of a random texture rather than smooth glass effect. If you want more texture pour a bit more powder onto the hot UTEE and melt. Ink the sentiment with StazOn and press into the molten UTEE. Leave until it sets before peeling away. I found the image was a little feint so darkened using an alcohol pen – drawing into the impressed lettering.
  3. Apply the glitter paste with a palette knife onto the background using the leaf stencil. Apply modelling paste through the butterfly stencil. Leave to dry.
  4. Lightly spritz the watercolour card with inks (you want it to be lighter than the canvas background so that it stands out). Cut out the frame with the decorative die and apply some ink to the edges with a sponge to define. Trim the main image to fit behind the frame and glue together. Mount onto the canvas with 3D foam.
  5. Finish with touches of glitter glue.

Sunday, 24 September 2017

Free Machine Embroidery Experiments using colouring pages from Chocolate Baroque


If you love colouring there is a wonderful colouring page kit available from Chocolate Baroque. These are great for making finished pieces for framing or simply to have fun colouring. The kits also contain a colour wheel and tips for colour mixing too. The kit is limited edition (so when they sell out they are gone) and was created using gorgeous hand drawn images from Sue Page. There are 7 fabulous designs (2 copies of each) plus a couple of practice pages to test out colouring methods etc.


This is one of the pages that I coloured with alcohol ink pens plus a bit of sparkle pen. The paper is super smooth and a lovely quality and the images a joy to colour.

I thought that the designs would be perfect for embroidery. I first checked the copyright policy on using these designs and provided that the images are not scanned or photocopied we are permitted to physically hand trace them onto fabric. I therefore kept my second image as a template for tracing.

I found that the best method for tracing onto my fabric was using a light box and a soft pencil. I chose a small motif to try out my experiments.

I first did an experiment on a scrap piece of fabric and tried to follow the drawn outlines using free machine embroidery. This is where the sewing machine feed dogs are disengaged and the fabric is moved and guided under the needle by hand. This method also requires a special free machine embroidery or darning foot. Generally the machine is run fairly fast with this technique and the rate at which you move the fabric beneath the stitching needle determines the length of stitches achieved (i.e. slowly moving the fabric beneath the needle gives small close together stitches, fast movements provides longer stitches).


Well what a disaster! I admit that I am a little out of practice with free machining but I didn’t expect the results to be this bad – tee hee.


My darning foot has a clear acrylic end but I really could not see the outlines of the design well enough to stay on track at all while stitching. Eeek! There are other types of darning foot available, thin metal circular ends or ones where the front is open or cut away. However, for my high shank machine they are all pretty expensive at around £30 (there are more options for standard shank machines and they can be obtained fairly cheaply via China through EBay).

I really didn’t want to spend out a lot of pennies on something that I wouldn’t be sure would work for me until I actually got it home to try. My ideal would be no foot getting in the way at all so that I would have a complete clear view of the needle. I tried stitching with the foot removed (NB. Even with no actual foot in place the presser foot mechanism must be lowered in order to engage the tension discs on the needle thread). This was perfect for aligning my stitching along the design but caused bad stitch quality and skipped stitches. While operating the fabric bounced around too much (even though in an embroidery hoop) as there was no foot to hold the fabric while the needle pushed through and pulled out of the layers.


I then investigated further and found that there is such a thing as a free machine spring needle that can be used without a foot. These are not all that cheap either (£5), considering that like any needle they do wear out with use. However, it was a much cheaper option for me and gave perfect vision of my stitching outlines while working. It should last me a while too if I keep it just for projects that need detailed and accurate stitching.




I chose 2 layers of hand dyed cotton fabric with a layer of thin polyester wadding between (to give a little quilting texture). I used a small spring hoop to hold it all in place and stabilise my fabric layers. I chose a variegated embroidery thread for stitching and I was delighted with the results. Yay!




I didn’t really have a plan of what I was going to make but decided to turn it into a small padded pouch for my mobile phone.


Finally I decided to add a little colouring to the quilted design. I used Inktense pencils to add shading and then dragged out the colour using a damp brush (this makes the pigment permanent). I learned a lot making this project and I love my little phone pouch.

I have written a bit of an essay but I hope this helps anyone else trying out some free machine embroidery x.